The Deluxe is a player, heavily modded, built like a tank. Currently have a '64 Deluxe Reverb, '65 Vibro Champ, and '67 Super Reverb (and until recently had a '66 Pro Reverb as well). Back at Summer NAMM, Fender unveiled its new Tone Master amps—the Tone Master Deluxe Reverb and Tone Master Twin Reverb.Both come in at about half the weight of their tube-based equivalents. Tube rectifier in a DRRI. Thread Tools. You can run a signal to a desk or PA system thanks to the XLR output on the back for rooms where this . It is good at two things, a) pristine super-clean tones and b) crunchy overdrive with the Fender tone coloration. View Profile View Forum Posts Private Message . Here is another one. Which one do we buy?Life too short for long YouTube videos? tone of the dukes and lords. That being said, The deluxe and super are two VERY different sounding amplifiers. 3. One of the most legendary amps of all time, pristine Blackface Deluxe examples come with a steep price tag. 2 preamp gain stages, Tremolo, 2x6V6, 1x12 Speaker. Cleans when you want them at gigging volume and OD with the attenuator on at a decent volume. I agree with The Russ that . Which one do we buy?Life too short for long YouTube videos? For information about the AB763 model differences see this. There is a little difference in tone. Fender Twin vs Super vs Deluxe Reverb. I really like it - don't get me wrong - but it has way more treble than the SR (unless I use the bright switch). In addition, the '68 model acted as the schematic for the current reissue. I played out with the Super Reverb and used an attenuator (2 ohm Hotplate) to drop the volume in clubs, and a Klon to fatten up the mids a bit. A Bassman, Super Lead, Master Lead, or Bandmaster can each have a very big open distorted sound set clean with the right pedal in front. I plugged in to a '64 Deluxe (non-reverb) once to try it out, and was completely blown away. I have a beat-up 1970 Super Reverb with non-original speakers. I think they sound ok, my neighbour just but his second one for backup because he's loved his so much. Sure, they've changed in some ways, but they've also kept some classic traits. AB763 Deluxe (Non-Reverb). Location: Portland, Oregon. But my Super Reverb never leaves the house, and I gig all the time with my Deluxe Reverb. 4. Thread Tools. Back at Summer NAMM, Fender unveiled its new Tone Master amps—the Tone Master Deluxe Reverb and Tone Master Twin Reverb.Both come in at about half the weight of their tube-based equivalents. With the Deluxe, you get a lot more bass response and plenty more clean headroom. These two amps look almost identical, but on the inside they couldn't be more different. Fender Deluxe Reverb vs. Twin Reverb vs. Super Reverb now with an overdrive pedal (Behringer TO100 Tube Overdrive / Ibanez TS9 Clone). The Tone Master Super-Reverb has a 200-watt power amplifier which equates to 45-watts of tube power. I got the DR because sciatica doesn't let me use the SR all the time. Fender Bassman vs Twin Reverb vs Deluxe Reverb Fender Bassman vs Twin Reverb vs Deluxe Reverb. Most fender amps have similar qualities when they do break up. This is why so many post-AB763 amps were . See the 'interesting bits and go-to sec. A Deluxe Reverb with and efficient speaker will work on any gig but a quiet one. Start new topic; Recommended Posts. So my first good guitar amp was a 1967 Princeton Reverb, gotten in the early 90s. It is what Fender calls the "Blackface" tone. Basically the same tone although with the 2-12's and smaller cab it has a slightly rounder tone. By rinkrat6821, April 6, 2007 in Amps. The Tone Master Super-Reverb has a 200-watt power amplifier which equates to 45-watts of tube power. Clean headroom. The '65 Deluxe Reverb Reissue has the bright cap like the original, while the '68 Custom Deluxe does not. Both are incredibly wonderful amps, the holy grails. Twin Reverb Vs Super Reverb: Comparing Fender's Models. Aug 24, 2010. It was used in the Deluxe Reverb, Twin Reverb, Super Reverb, Concert, Band-Master, Showman, Pro, Vibrolux, Vibroverb, Tremolux and no-reverb Deluxe. The Super is a museum piece, mint, incredible, all original. The Deluxe reverb will get sweet overdrive at the lowest volume, the Super next (but this is very loud) followed by the Twin which needs to be hellishly loud to OD. Abaddon2005. W. And while the Tone Master Deluxe Reverb is too new to gauge its long-term reliability versus a tube-driven Deluxe, we're . You can get a DRRI to the edge of breakup easier. '65 Super Reverb®, 240V AUS. Under normal circumstances, this amp is loud enough. (I like Line6, but their combos only sound similar to the real amps - but nice to have 24 vintage similar sounding amps in one box.) This also goes for both Twin Reverb and Super Reverb. I gigged with a Tube super-reverb for years, and it was loud enough for most cases. I have a 1965 Super Reverb and a 1972 Deluxe Reverb. missing footswitch. If you'r a Tele player, most would choose the Pro Reverb. Have heard this opinion with a few guitarists I know. The circuit and overall design behind each of these club-sized classics is quite different, however, and they . Instead of the traditional models' all-tube circuitry, these new amps use DSP technology and Class D power amps to deliver what Fender calls "virtually indistinguishable" sound and performance from the . That being said, The deluxe and super are two VERY different sounding amplifiers. Here is another one. Also separating the '68 Customs from the '65 Reissues, specifically the corresponding Deluxe Reverbs, is the bright cap. 08-15-2012, 07:25 AM #1. Please s. Most fender amps have similar qualities when they do break up. 6V6 vs, 6L6 or tube rectifier, I think the tone stack is a little different in the mids. #fender #fenderamps #shootout #guitarListen to my new album! I tend to lean to the Deluxe side mostly for its convenience, but I have heard from several sources that Deluxe simply cannot be played clean along with a band. Abaddon2005. Fender Twin vs Super vs Deluxe Reverb. Through all the clips I have found on Youtube, the best solution is the TS808 with the Fender reissue series. Two of Fender's popular reissue valve amplifiers - which one would you choose?Life too short for long YouTube videos? You can run a signal to a desk or PA system thanks to the XLR output on the back for rooms where this . Speaker: 12" Fender Special Design, 20W power Tube Sectio. I have a beat-up 1970 Super Reverb with non-original speakers. The always on bright cap makes a deluxe Reverb sound pretty lousy below 3, and just ok between 3 and 5. Please s. These two amps look almost identical, but on the inside they couldn't be more different. I have been A/B'ing these a LOT lately and I have to say that the DR is not what I expected. W. At the root is, of course, the AB763 blackface circuit. I have been A/B'ing these a LOT lately and I have to say that the DR is not what I expected. The 1968 Fender Reverb kept the same chassis at its blackface predecessors but updated the interior circuitry and exterior with the iconic silver faceplate. The Fender Deluxe Reverb and the Vox AC15 are roughly the same size, often used by roughly similar musicians to play broadly similar music. Deluxe Reverb 22 watts RMS 2 6V6 tubes Fair amount of sag in its response Somewhat flubby bottom end Least amount of headroom of the three Super Reverb 45 watts RMS 2 6L6 tubes Medium to tight response tighter bottom end More headroom before break-up Twin Reverb 85 watts RMS 4 6L6 tubes Snappy and fast response - great for country riffs Small, light and moderately powered, the Deluxe Reverb received a fresh new face in 1968—a silver-and-turquoise front panel with aluminum grille cloth trim, with . Members; . I'd probably get a Super Reverb and an attenuator. I'd go first version of hot rox deluxe (get the better reverb though) for around 500 $. I also have a 1965 Deluxe Reverb with the original speaker. The Fender Twin Reverb has a distinct scooped sound with gracious piano-like lows, bottomed-out mids, and bright/glassy highs. One of the best things about Fender is that they still make some of the old models. built like a tank. 08-15-2012, 07:25 AM #1. I got the DR because sciatica doesn't let me use the SR all the time. Never played a super sonic I liked. Meanwhile, the '65 Reissues have the same Blackface tone circuit on both channels. The Tone Master Deluxe reverb is a brilliant, if not revolutionary, concept. That's where the Super Reverb came into the picture, despite its size and higher cost. Super Reverb and Deluxe reverb to be precise. The deluxe though, either has people rave or hate it. This faithful recreation of the renowned Super Reverb of 1963-1968 is a must-have for vintage enthusiasts and Stratocaster® guitar slingers, although players of all styles enjoy its shimmering tone. web description: The Vintage Sound Vintage 22 is essentially an all hand-wired, all USA made, 60's era Fender Deluxe Reverb, but slightly modified with definite improvements. I really like it - don't get me wrong - but it has way more treble than the SR (unless I use the bright switch). (not as loud) And a Twin is clean louder. I never used the Deluxe Reverb to play out because the amount of clean headroom I needed was not sufficient to keep up with the drummer, bass player . The guitarist with an eye and ear for late-'60s Fender silver panel style will love the '68 Custom Deluxe Reverb, which honors the classic look and great sound of that era's amps. 2. This is mainly because the deluxe is a 1x12 and the super is a 4x10. Super sexy blue tolex. See the 'interesting bits and go-to sec. The Super Reverb is tighter and brighter. It has a direct impact on portability, with the Deluxe being better suited for travel. The Fender Deluxe Reverb and the Vox AC15 are roughly the same size, often used by roughly similar musicians to play broadly similar music. It has two triode light dependant resistor (LDR) signal tremolo but no reverb, 7025 (low noise version of the 12AX7) preamp, dual identical tone stacks with treble and bass controls for each channel (no . Instead of the traditional models' all-tube circuitry, these new amps use DSP technology and Class D power amps to deliver what Fender calls "virtually indistinguishable" sound and performance from the . It's significantly lower than the Twin Reverb that weighs 72 lbs. Tone: Twin Reverb vs. Deluxe. Under normal circumstances, this amp is loud enough. View Profile View Forum Posts Private Message . Perhaps this is simply to say that they are both extremely versatile and popular amplifiers. Perhaps this is simply to say that they are both extremely versatile and popular amplifiers. The Deluxe weighs 42 lbs. Fender Deluxe Reverb vs. Twin Reverb vs. Super Reverb now with an overdrive pedal (Behringer TO100 Tube Overdrive / Ibanez TS9 Clone). 4-7 is the right volume range, allowing for difference in pot taper, but you get the idea. The non-reverb Deluxe is the simplest amp of the family because it has only two preamp gain stages and no reverb. Today we offer a battle between the Standard Deluxe Reverb (tubes) and the Tone Master (d. A little more sparkle in the DRRI. The super reverb is going to have a stronger midrange than a deluxe reverb. Tone: Twin Reverb vs. Deluxe The Fender Twin Reverb has a distinct scooped sound with gracious piano-like lows, bottomed-out mids, and bright/glassy highs. The AB763 circuit is considered by most to be the pinnacle of Fender amplifier design. I owned a DRRI at the time, and it made my amp sound like a Line6 by comparison. NY. The super reverb is going to have a stronger midrange than a deluxe reverb The Verdict. #fender #fenderamps #shootout #guitarListen to my new album! It effectively makes what's arguably the greatest-ever gigging amp into a lighter, more flexible, and convenient version of itself. Two of Fender's popular reissue valve amplifiers - which one would you choose?Life too short for long YouTube videos? We've been incredibly impressed with Fender's new Tone Master Amps. 5. Excellent Condition. The circuit and overall design behind each of these club-sized classics is quite different, however, and they . http://jackfossett.bandcamp.comWelcome to this in depth shootout between the Fender 65 Twin Reve. Super Reverb and Deluxe reverb to be precise. I also have a 1965 Deluxe Reverb with the original speaker. I gigged with a Tube super-reverb for years, and it was loud enough for most cases. I tend to lean to the Deluxe side mostly for its convenience, but I have heard from several sources that Deluxe simply cannot be played clean along with a band. This is mainly because the deluxe is a 1x12 and the super is a 4x10. Both are awesome though, and tube rectified, the Pro Reverb is shorter and somewhat easier to move around. Moving up to one 12" speaker and about 20 watts with up both reverb and non-reverb models, the Deluxe amp is like a Princeton on steroids. I've had a string of blackface Fenders (plus a few silverface) over the years. http://jackfossett.bandcamp.comWelcome to this in depth shootout between the Fender 65 Twin Reve.
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